Not really too much to say about this shot here, except that I work at 300-600dpi usually when I do digital artwork. This allows for good quality when printed, as well as providing me with the room to add more detail than a lower resolution would. Each dragonlette is on its own layer, which allows me to work on each on separately and/or move them around if I need to. This is a habit I am trying to get out of however, as it's not possible to do this with traditional media.
Here you can see that a lot of the scaling has been added and that the white dragon and the blue dragon have been mostly finished at this point. I start with a flat color and paint in where I want the scales to be before going over them several more times with steadily lightening colors to add more of a 3-D appearance to the scales themselves. I finish them off by airbrushing with a brighter version of the color at about 15-20% opacity to unify them before adding my shading layer over top.

Here I've added more of a light source from behind the trees and put in the corresponding shadows on the dragonletts. I have also added in the dragonflys that they are supposed to be chasing. I used a layer on top of the detail work set to multiply at 40% opacity to put the shadows in. This allows me to get smooth shading without streaking. Do not use black for shading, I can not stress this enough. Deep purples, dark reds or blues/grees work best depending on the subject's color.
And the final version. I added some more of the subtle details into the sky, darkening the upper right hand corner and flipped the entire image. By flipping it, I can check for errors in lighting and composition as it provides a new perspective to look at it. You can do the same thing with traditional work by holding it up to a mirror.
And lastly we have some detail shots of the dragons themselves.
No comments:
Post a Comment